Earth is threatened with destruction by a deadly alien plague. The planet’s only hope: Get help from the long-lost Omega Colony, somewhere in space. The fate of the Earth is in the hands of Lieutenant Commander Greylorn in charge of the search for Omega, and every decision he will make during Man’s first contact with an alien race… (Summary by Mark Nelson) [chương_files]
New Texas: its citizens figure that name about says it all. The Solar League ambassador to the Lone Star Planet has the unenviable task of convincing New Texans that a s’Srauff attack is imminent, and dangerous. Unfortunately it’s common knowledge that the s’Srauff are evolved from canine ancestors—and not a Texan alive is about to be scared of a talking dog! But unless he can get them to act, and fast, there won’t be a Texan alive, scared or otherwise! (Summary from the text) [chương_files]
The Terran colony on the planet Darkover faces imminent destruction by a plague of the deadly Trailmen’s Fever. The only hope is to develop a serum in time, but this requires the cooperation of the elusive native Trailmen, the brilliant parasitologist Dr. Jay Allison, and his split personality. (Introduction by Mark Nelson) [chương_files]
Science Fiction is speculative literature that generally explores the consequences of ideas which are roughly consistent with nature and scientific method, but are not facts of the author’s contemporary world. The stories often represent philosophical thought experiments presented in entertaining ways. Protagonists typically “think” rather than “shoot” their way out of problems, but the definition is flexible because there are no limits on an author’s imagination. The reader-selected stories presented here were written prior to 1962 and became US public domain texts when their copyrights expired. (Summary by Gregg Margarite) [chương_files]
Science Fiction is speculative literature that generally explores the consequences of ideas which are roughly consistent with nature and scientific method, but are not facts of the author’s contemporary world. The stories often represent philosophical thought experiments presented in entertaining ways. Protagonists typically “think” rather than “shoot” their way out of problems, but the definition is flexible because there are no limits on an author’s imagination. The reader-selected stories presented here were written prior to 1962 and became US public domain texts when their copyrights expired. (Summary by Gregg Margarite) [chương_files]
Science Fiction is speculative literature that generally explores the consequences of ideas which are roughly consistent with nature and scientific method, but are not facts of the author’s contemporary world. The stories often represent philosophical thought experiments presented in entertaining ways. Protagonists typically “think” rather than “shoot” their way out of problems, but the definition is flexible because there are no limits on an author’s imagination. The reader-selected stories presented here were written prior to 1962 and became US public domain texts when their copyrights expired. (Summary by Gregg Margarite) [chương_files]
Science Fiction is speculative literature that generally explores the consequences of ideas which are roughly consistent with nature and scientific method, but are not facts of the author’s contemporary world. The stories often represent philosophical thought experiments presented in entertaining ways. Protagonists typically “think” rather than “shoot” their way out of problems, but the definition is flexible because there are no limits on an author’s imagination. The reader-selected stories presented here were written prior to 1962 and became US public domain texts when their copyrights expired. (Summary by Gregg Margarite) [chương_files]
Science Fiction is speculative literature that generally explores the consequences of ideas which are roughly consistent with nature and scientific method, but are not facts of the author’s contemporary world. The stories often represent philosophical thought experiments presented in entertaining ways. Protagonists typically “think” rather than “shoot” their way out of problems, but the definition is flexible because there are no limits on an author’s imagination. The reader-selected stories presented here were written prior to 1962 and became US public domain texts when their copyrights expired. (Summary by Gregg Margarite) [chương_files]
Science Fiction is speculative literature that generally explores the consequences of ideas which are roughly consistent with nature and scientific method, but are not facts of the author’s contemporary world. The stories often represent philosophical thought experiments presented in entertaining ways. Protagonists typically “think” rather than “shoot” their way out of problems, but the definition is flexible because there are no limits on an author’s imagination. The reader-selected stories presented here were written prior to 1962 and became US public domain texts when their copyrights expired. (Summary by Gregg Margarite) [chương_files]
Science Fiction is speculative literature that generally explores the consequences of ideas which are roughly consistent with nature and scientific method, but are not facts of the author’s contemporary world. The stories often represent philosophical thought experiments presented in entertaining ways. Protagonists typically “think” rather than “shoot” their way out of problems, but the definition is flexible because there are no limits on an author’s imagination. The reader-selected stories presented here were written prior to 1962 and became US public domain texts when their copyrights expired. (Summary by Gregg Margarite) [chương_files]
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