This best-selling book of poetry by A. A. Milne was first published in 1924. The poems describe the adventures of Christopher Robin. In it we are introduced to Mr. Edward Bear later known as Winnie-the-Pooh. The poems are timeless and capture the joy and wonder of being a young child. – Summary by AnnaLisa Bodtker [chương_files]
A.A. Milne wrote many poems to entertain his young son, Christopher Robin Milne, who appears to have been about three when “When We Were Very Young” was published. The book is a collection of 45 poems that celebrate a world and a point of view that a very young person could understand and enjoy. It became a best-seller. Christopher Robin is introduced as a character in some of the poems. We first meet him in the Preface, “Just Before We Begin.” In it we learn of a swan which he feeds upon a lake and who he has named “Pooh.” Milne comments on the fortuitous rhyming of that name with the lowing of the local cattle, “moo,” and intends us to believe that that led to the idea of writing the poems that comprise “When We Were Very Young.” Later, of course, this name became attached to a rather lovable bear who had whole books of his adventures written by Milne over the next few years. We will meet that teddy bear in one of poems of this book!- Summary by Mark Smith [chương_files]
The Sunny Side is a collection of short stories and essays by A. A. Milne. Though Milne is best known for his classic children’s books, especially Winnie The Pooh, he also wrote extensively for adults, most notably in Punch, to which he was a contributor and later Assistant Editor. The Sunny Side collects his columns for Punch, which include poems, essays and short stories, from 1912 to 1920. Wry, often satirical and always amusingly written, these pieces poke fun at topics from writing plays to lying about birdwatching. They vary greatly in length so there is something for everyone. [chương_files]
More of the witty, wry, and deliciously wicked essays and articles written by Milne. Most people know him as the creator of Winnie The Pooh, but he worked for many years as editor of Punch Magazine and these are some of his best. Not That It Matters is a collection of over 40 of these short stories and articles. Not That It Matters collects his columns for Punch, which include poems, essays and short stories, from 1912 to 1920. Most of his writing pokes fun, both gentle and not so gentle at a variety of topics. They vary greatly in length so there should be something for everyone. Milne wrote in a thoroughly British atmosphere and for a thoroughly British audience so some of his references may need a bit of research for those ‘not of the Empire’ (like me) to understand. [chương_files]
A. A. Milne, best known as the creator of Winnie the Pooh, was a prolific author of books, plays, essays and articles. He also spent a number of years editing for Punch Magazine. He even wrote a good detective story — The Red House Mystery ! In this collection he addresses a vast range of issues, including: the essence of melodrama; the lingering effects of World War I; knowing geography versus owning an atlas; a new kind of haunted house; the inexplicable nature of high finance; the trouble with “experts;” how the life of bees suggests the social importance of artists; the bad influence of theatre critics on good theatre. All of these short pieces are humorous. Many are informative. Taken together, they will inspire many to navigate over to Milne’s five other book-length humorous collections: Happy Days, The Holiday Round, Not That It Matters, Once a Week, and The Sunny Side — or, perhaps, to The Red House Mystery. – Summary by Kirsten Wever [chương_files]
Once A Week is a collection of short stories and slightly longer vignettes which were written for Milne’s solid British Audience, including regular readers of Punch — between1903, when he graduated from Cambridge and 1906, when he began also to edit Punch, on and through to 1909. They are humorous verses, essays and stories with what he deemed a peculiarly British flavor, focusing on the antics and adventures of a small recurring group of friends and acquaintances. The breadth of Milne’s oeuvre is illustrated by his publication, in the mean time, of 18 plays, 3 novels, collections of children’s poems, screen plays for popular British films, and a (pretty good) detective story. — among other things. (Summary by Kirsten Wever) [chương_files]
Alan Alexander Milne, popularly known as A. A. Milne, is best known – perhaps to most people only known – for his children’s book, Winnie the Pooh. Yet he was an incredibly prolific author. He published dozens of successful plays, myriad humorous articles written for internationally prominent journals, a wide range of social, political, and other nonfiction works, and even a murder mystery. This collection is humorous throughout, but humorous in a particularly Milnesque way: he consciously and quite openly rejected the bitterness of satire in favor of a peculiarly gentle, often self-deprecating humor. Included here are dozens of short essays showing, among other things, Milne’s extraordinary capacity to understand – and be understood by – children, and his special affinity for women, as friends and as lovers. – Summary by Kirsten Wever [chương_files]
A. A. Milne is best known for his creation of the perennially popular Winnie the Pooh, though he was and is highly acclaimed for hundreds of gently humorous essays and poems published in, among other famous venues, Punch Magazine, most of which have been collected and published as books. The Sunny Side is his last collection of articles and verses because, as he wrote in the American Introduction to the volume, “this sort of writing depends largely upon the irresponsibility and high spirits of youth for its success, and I want to stop before …the high spirits become mechanical …” He called this assortment “scrappy, because, “…Odd Verses have crept in on the unanswerable plea that, if they didn’t do it now, they never would; War Sketches protested that I shouldn’t have a book at all if I left them out; an Early Article, omitted from three previous volumes, paraded for the fourth time with such a pathetic ‘I suppose you don’t want me’ in its eye that it could not decently be rejected.” He concludes: “So here they all are.” Summary by Kirsten Wever [chương_files]
A. A. MILNE: …was best known for the perennially popular Pooh (Winnie the), arguably one of his lesser contributions to the literature of his day. He was highly acclaimed for dozens of popular plays. Moreover, he was both a contributor to and editor of Britain’s famous Punch Magazine; and for Punch, The Atlantic Monthly and dozens of other internationally acclaimed journals he wrote hundreds of essay, sketches and poems. THE WORLD WARS: Milne argued aggressively against the many enemy atrocities characterizing both World Wars, and also fought in both. All four years of the Great War he spent primarily in the trenches, sustaining the greatest dangers of the new warfare at close range. His war experiences are forcibly captured in some of the poems in this collection and others. INFLUENCE ON THE STYLE OF BRITISH HUMOR: His immense popularity doubtless helped influenced the very basis of British wit and humor: His gentle, often self-deprecatory but always kind style of humor lured readers and publishers away from the more ironic, cynical, and acerbic humorous works of recent decades. – Summary by Kirsten Wever [chương_files]
Winnie-the-Pooh is a children’s book by English author A. A. Milne, illustrated by E. H. Shepard. Published in 1926, it is a collection of short stories about an anthropomorphic teddy bear, Winnie-the-Pooh, and his friends Christopher Robin, Piglet, Eeyore, Owl, Rabbit, Kanga, and Roo. It is the first of two story collections by Milne about Winnie-the-Pooh, the second being The House at Pooh Corner (1928). – Summary by Wikipedia [chương_files]
Copyright © 2024 | FreeAudible