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Emma Goldman.

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09/07/2024
Mother Earth, Vol. 1 No. 1, March 1906 cover

Mother Earth, Vol. 1 No. 1, March 1906

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“Mother Earth was an American anarchist journal that described itself as “A Monthly Magazine Devoted to Social Science and Literature”. Founded in early 1906 and initially edited by Emma Goldman, an activist in the United States, it published articles by contemporary activists and writers in Europe as well as the US, in addition to essays by historic figures.” This is Volume 1 of the series – Summary by Wikepedia     [chương_files]  

28/06/2024
Mother Earth, Vol. 1 No. 2, April 1906 cover

Mother Earth, Vol. 1 No. 2, April 1906

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“Mother Earth was an American anarchist journal that described itself as “A Monthly Magazine Devoted to Social Science and Literature”. Founded in early 1906 and initially edited by Emma Goldman, an activist in the United States, it published articles by contemporary activists and writers in Europe as well as the US, in addition to essays by historic figures.” This is Volume 1 of the series. This is the second number of the magazine.     [chương_files]  

12/06/2024
Anarchism and Other Essays (Version 2) cover

Anarchism and Other Essays (Version 2)

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Emma Goldman, the most famous anarchist in American history, shows the whole range of her iconoclastic thought in this collection of essays. Drawing from a wealth of illustrative material, including the examples of fellow anarchists and radicals of her own acquaintance, modern martyrs, dissident playwrights, poets, and authors, etc., she delineates the main themes of her philosophy with incisiveness and evangelical passion. Included among these themes are: a definition of decentralized anarchism itself; the ambiguous morality of direct action; the curse of modern patriotism; the horrors of early twentieth-century prisons; the need for an entirely new kind of education; the relationship of legal marriage to true love; the insidious danger of Puritanical thought within feminism itself; the deadly spread of sex trafficking; the limitations or even undesirability of woman suffrage; and the extraordinary revolutionary potential of modern theatre. Sadly, none of these themes seem obsolete even to a modern reader; every one of them has direct application to twenty-first century society. – Summary by Expatriate     [chương_files]