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Oscar Wilde

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10/08/2024
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The Soul of Man

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“(T)he past is what man should not have been. The present is what man ought not to be. The future is what artists are.” Published originally as “The Soul of Man Under Socialism,” this is not so much a work of sober political analysis; rather it can be summed up as a rhapsodic manifesto on behalf of the Individual. Socialism having deployed technology to liberate the whole of humanity from soul-destroying labour, the State obligingly withers away to allow the free development of a joyful, anarchic hedonism… “Is this Utopian? A map of the world that does not include Utopia is not worth even glancing at, for it leaves out the one country at which Humanity is always landing.” Far from abandoning the epigram in favour of the slogan, Wilde wittily assails several of his favourite targets: the misguided purveyors of philanthropy; life-denying ascetics of various kinds; the army of the half-educated who constitute themselves the enemies of Art – and those venal popular journalists who cater to them… “Behind the barricade there may be much that is noble and heroic. But what is there behind the leading-article but prejudice, stupidity, cant, and twaddle?” (Introduction by Martin Geeson)     [chương_files]  

15/07/2024
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Reviews

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Wilde’s literary reputation has survived so much that I think it proof against any exhumation of articles which he or his admirers would have preferred to forget. As a matter of fact, I believe this volume will prove of unusual interest; some of the reviews are curiously prophetic; some are, of course, biassed by prejudice hostile or friendly; others are conceived in the author’s wittiest and happiest vein; only a few are colourless. And if, according to Lord Beaconsfield, the verdict of a continental nation may be regarded as that of posterity, Wilde is a much greater force in our literature than even friendly contemporaries ever supposed he would become. It should be remembered, however, that at the time when most of these reviews were written Wilde had published scarcely any of the works by which his name has become famous in Europe, though the protagonist of the æsthetic movement was a well-known figure in Paris and London.     [chương_files]