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    Virginia Woolf

     


    08/09/2024
    Voyage Out (Version 2) cover

    Voyage Out (Version 2)

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    Rachel Vinrace embarks for South America on her father’s ship and is launched on a course of self-discovery in a kind of modern mythical voyage. The mismatched jumble of passengers provide Woolf with an opportunity to satirise Edwardian life. The novel introduces Clarissa Dalloway, the central character of Woolf’s later novel, Mrs Dalloway. Two of the other characters were modelled after important figures in Woolf’s life. St John Hirst is a fictional portrayal of Lytton Strachey and Helen Ambrose is to some extent inspired by Woolf’s sister, Vanessa Bell.[7] Rachel’s journey from a cloistered life in a London suburb to freedom, challenging intellectual discourse and discovery very likely reflects Woolf’s own journey from a repressive household to the intellectual stimulation of the Bloomsbury Group.     [chương_files]  

    08/07/2024
    Mrs. Dalloway (Version 2) cover

    Mrs. Dalloway (Version 2)

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    Clarissa Dalloway is having a party. Join her and a web of connections in exploring London, their memories and their innermost thoughts and feelings. This novel explores relationships, mental health, nostalgia, regret, and the multitude of reasons for which people make decisions which change the course of their life. (Summary by Hannah Dormor)     [chương_files]  

    07/07/2024
    Common Reader cover

    Common Reader

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    A collection of essays by Virginia Woolf, some of which originally appeared in the Times Literary Supplement or the Dial, and others were originally published for the first time in this volume. “Anything that Virginia Woolf may have to say about letters is of more than ordinary interest, for her peculiar intelligence and informed attitude set her somewhat apart. She possesses the happy faculty simultaneously of enjoying and accepting the work of Daniel De Foe and James Joyce, of Joseph Addison and T.S. Eliot, of Jane Austen and Marcel Proust. Many of these essays are excellent examples of that type of writing which reveals the reactions, nuances, twisting and adventuring threads of thought and surmise which spring from the perusal and spiritual acquisition of other work.” Excerpts from the New York Times Book Review of The Common Reader, May 31, 1925     [chương_files]