This famous Shakespearean exploration illuminates its plays through the frame of character, while also weighing theme, mood, structure and poetics. In it, 19th-century critic William Hazlitt unveils Shakespeare’s genius in creating and infusing characters with a life-likeness that often challenges, if not overshadows, more material human nature — in both inner and outer worlds. As he writes: “The characters breathe, move, and live, … think and speak and act just as they might do, if left entirely to themselves.” The first printing sold out in weeks, and the second sold briskly, until a harsh and antagonistic appraisal in The Quarterly Review quelled sales altogether — and unraveled Hazlitt’s critical cachet in the eyes of the general public. Not until the mid-twentieth century were Hazlitt and his works re-evaluated, when he was finally recognized as one of Shakespeare’s foremost critics of all time. In literary criticism, the renowned Harold Bloom ranks Hazlitt second only to Dr. Johnson. – Summary by Nemo     [chương_files]