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13/06/2024
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Woman and War

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Olive Schreiner was a South African writer born in 1855 to missionary parents in the Eastern Cape. She is credited with being the first Internationally famous South African Novelist. She was an extraordinary person and was one of the earliest campaigners for women’s rights, including the right to equal pay for equal work, saying: “The fact that for equal work equally well performed by a man and by a woman it is ordained that the woman on the ground of her sex alone shall receive a less recompense is the nearest approach to a willful and unqualified “wrong” in the whole relation of woman to society today”. She opposed racism of all kinds whether against the Boers or Black People and she was also a pacifist and anti-war campaigner. She was a vociferous critic of British Imperialism in South Africa and of Cecil Rhodes and his policies while prime minister of the Cape. As a result of her public support for the Boers, all her manuscripts and her house were burned by the British during the Anglo-Boer War and she was interned in a concentration camp for several years. Her most well known book is “The Story of an African Farm” from 1883, in which her own free thinking and progressive views on equality, sexuality and marriage are explored. It became a best seller in Europe and The United States, praised by feminists for portraying a strong heroine in control of her own destiny. The book was originally published under […]

12/06/2024
Anarchism and Other Essays (Version 2) cover

Anarchism and Other Essays (Version 2)

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Emma Goldman, the most famous anarchist in American history, shows the whole range of her iconoclastic thought in this collection of essays. Drawing from a wealth of illustrative material, including the examples of fellow anarchists and radicals of her own acquaintance, modern martyrs, dissident playwrights, poets, and authors, etc., she delineates the main themes of her philosophy with incisiveness and evangelical passion. Included among these themes are: a definition of decentralized anarchism itself; the ambiguous morality of direct action; the curse of modern patriotism; the horrors of early twentieth-century prisons; the need for an entirely new kind of education; the relationship of legal marriage to true love; the insidious danger of Puritanical thought within feminism itself; the deadly spread of sex trafficking; the limitations or even undesirability of woman suffrage; and the extraordinary revolutionary potential of modern theatre. Sadly, none of these themes seem obsolete even to a modern reader; every one of them has direct application to twenty-first century society. – Summary by Expatriate     [chương_files]