142 bài viết found
The Plain Speaker: Opinions on Books, Men, and Things is a posthumous collection of essays by William Hazlitt, organized by his grandson, William Carew Hazlitt. The book contains some of Hazlitt’s more famous essays that hadn’t been previously published in book format. [chương_files]
With her usual wit and charm, Ms. Repplier recalls her days at Eden Hall, the Convent of the Sacred Heart in Torresdale, north of Philadelphia. She shares the highlights (and some of the low lights) of her time there. Perhaps this sharp eye, nurtured by her willfulness and independent spirit, was the reason she was not invited to return to Eden after her second year. Not only Catholics or boarding school alumnae will find this book entertaining; anyone who went to school or who looks back on their childhood will see their own experience somewhere in this memoir. [chương_files]
The [five] lectures were written primarily to be delivered at the summer sessions of the University of California, at Berkeley and at Los Angeles, in the summer of 1918. . . they are the outgrowth of almost a quarter of a century spent in work for the blind, and were written from the standpoint of a blind person, seeking to better the condition of the blind. They were addressed not to the blind, but to the seeing public, for the benefit that will accrue to the blind from a better understanding of their problems. (Extract from the Forward by Milton J. Ferguson) [chương_files]
End of the world sci-fi tale borrows heavily from H.G. Wells’ WOTW and In The Days of the Comet — looks like fun ! [chương_files]
Through Infinite Deeps of Space Jerry Foster Hurtles to the Moon—Only to be Trapped by a Barbaric Race and Offered as a Living Sacrifice to Oong, their Loathsome, Hypnotic God. [chương_files]
18 works — two non-fic articles & one short fiction or poetry each — from issues March, April, May, June, July, & August 1906 of The Scrap Book, Volume 1, edited by Frank Munsey. As he states in the editorial of the April 1906 issue (Vol 1, Iss 2) this was a sort of supplement to the editor’s popular monthly, Munsey’s Magazine. The Scrap Book is very like an American version of Punch with many short, often humorous articles interspersed with at least one short story, some poetry, and several longer non-fic pieces. The Scrap Book ran up to 1922. [chương_files]
This is a collection of essays by Soseki Natsume. They were published in the Asahi Newspaper in 1909. Included are essays about daily life in Tokyo and his experiences in London. これは、夏目漱石の随筆集です。1909年に朝日新聞に連載されました。東京での日常生活、ロンドンでの経験などが含まれています。 [chương_files]
Pubblicato nel 1542, questo dialogo espone le teorie sulla lingua italiana che, già dal secolo precedente, presero forma, cercando di trasformare il volgare italiano, ancora instabile grammaticalmente, in una vera e propria lingua regolata da norme. I protagonisti del dialogo sono: Bembo (Pietro Bembo), sostenitore del volgare colto e che prende come modelli il Decameron del Boccaccio e il Canzoniere del Petrarca; Lazaro (Lazzaro Bonamico), cultore del latino e spregiatore dell’uso colto del volgare; un Cortegiano, portavoce della teoria di Baldassarre Castiglione, che propone di aprire il volgare di base toscana alle influenze di altre regioni e lingue; uno Scolare che riporta un dialogo tra Lascari (Giano Lascaris), professore di greco, sostenitore dell’indissolubilità tra concetto e parola, e Peretto (Pietro Pomponazzi – detto Peretto per la bassa statura), filosofo aristotelico, che auspica l’utilizzo del dialetto nell’esercizio dell’attività speculativa, per non perdere tempo inutile nello studio delle parole a scapito delle “cose”.(Summary by Riccardo Fasol) [chương_files]
This is Mark Twain’s vicious and amusing review of Fenimore Cooper’s literary art. It is still read widely in academic circles. Twain’s essay, Fenimore Cooper’s Literary Offenses (often spelled “Offences”) (1895), particularly criticized The Deerslayer and The Pathfinder. Twain wrote at the beginning of the essay: ‘In one place in Deerslayer, and in the restricted space of two-thirds of a page, Cooper has scored 114 offenses against literary art out of a possible 115. It breaks the record.’ Twain listed 19 rules ‘governing literary art in domain of romantic fiction’, 18 of which Cooper violates in The Deerslayer. (Introduction by Wikipedia and John Greenman) [chương_files]
As the title reveals, these stories are a collection of some of Mark Twain’s more fanciful and eccentric works. They run the gamut from political commentary to our species’ need to “be remembered” somehow. Taken as a whole the stories are “whimsical”. Taken individually, they speak the truth in different ways. (Introduction by John Greenman) [chương_files]
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