28 bài viết found
A collection of sometimes biting, always clever commentaries on some of life’s foibles — as apt today as when Ms. Repplier wrote them in 1912. Though less know to modern readers, Repplier was in her prime ranked among the likes of Willa Cather. Note: Section 13 contains the word niggards. I put it in print here so that it will not be mistaken for a racial epithet when heard. (written by Mary Schneider) [chương_files]
“I knew a man once, Maurice, who was at Oxford for three years, and after that went down with no degree. At College, while his friends were seeking for Truth in funny brown German Philosophies, Sham Religions, stinking bottles and identical equations, he was lying on his back in Eynsham meadows thinking of Nothing, and got the Truth by this parallel road of his much more quickly than did they by theirs; for the asses are still seeking, mildly disputing, and, in a cultivated manner, following the gleam, so that they have become in their Donnish middleage a nuisance and a pest; while he–that other–with the Truth very fast and firm at the end of a leather thong is dragging her sliding, whining and crouching on her four feet, dragging her reluctant through the world, even into the broad daylight where Truth most hates to be.” – Hilaire Belloc [chương_files]
“Now that story is a symbol, and tells the truth. We see some one thing in this world, and suddenly it becomes particular and sacramental; a woman and a child, a man at evening, a troop of soldiers; we hear notes of music, we smell the smell that went with a passed time, or we discover after the long night a shaft of light upon the tops of the hills at morning: there is a resurrection, and we are refreshed and renewed.” – Hilaire Belloc [chương_files]
There is an old anecdote, probably apocryphal, which describes how a feminine admirer wrote to Browning asking him for the meaning of one of his darker poems, and received the following reply: “When that poem was written, two people knew what it meant–God and Robert Browning. And now God only knows what it means. [chương_files]
Gilbert Keith Chesterton was among the world’s most prolific writers who incorporated relentless logic, wonderful humor, and a clear view of truth into an amazing tool for exposing the foolishness of the policies of the world around him through the device of paradox. It is always great fun, and certainly always a learning experience to read Chesterton. A Miscellany of Men may be his hardest work to define, as it deals with a huge array of issues, using “personal types” as illustration. It would only be bewildering, if there was not these common threads: First that these types still exist, and the same faulty reasoning applies to issues of our day, and second, that underlying all of this is a firm and reasoned defense of democracy in a sense very close to that of the American Founding Fathers. [chương_files]
Faces and Places is a collection of articles on nineteenth century travel, events and personalities by the British journalist Henry Lucy, who wrote for the Daily News, a London newspaper. His open letter To Those About to Become Journalists rings as true today as when it was written. The first article, “Fred” Burnaby, includes a lively account of a balloon trip, while Night and Day on the Cars in Canada and Easter on Les Avants relate Lucy’s experiences of rail travel at that time. Other travel tales (A Night on a Mountain, Mosquitoes and Monaco, and Oysters and Arcachon) provide an insight into the Victorian Englishman’s attitude to Europe. Three of the pieces, With Peggotty and Ham, A Cinque Port and Christmas Eve at Watts’s, concern the county of Kent, where Lucy had a country house. Christmas Eve at Watts’s contains an interesting exposé of Dickens’ short story The Seven Poor Travellers. Other articles are of historical interest: A Wreck in the North Sea is an account of the wreck of the ship “Deutschland” in 1875; A Historic Crowd describes the massive popular interest in the 1871 trial of the Tichborne Claimant; The Battle of Merthyr contains an eye-witness account of the Merthyr Riots of 1831; The Prince of Wales paints a portrait of the future King Edward VII. Lucy, who also wrote as “Toby, M.P.” for the satirical magazine Punch, loved to poke gentle fun, particularly at the establishment, and this is especially evident in A Peep at an […]
Arnold Bennett describes a method for enjoying literature, and suggests the contents of a comprehensive library. Chapters 1-10 and 14 describe his method for learning to enjoy literature. Chapters 11, 12, and 13 contain detailed lists of the 337 volumes required to complete a comprehensive library of English works. This reading is from the 1913 version at Project Gutenberg, and so does not contain the revisions made by Swinnerton for the 1939 edition, which included authors of the early Twentieth Century. Swinnerton’s revisions are available from Wikipedia. [chương_files]
“These papers were originally published as prefaces to the separate books of Dickens in one of the most extensive of those cheap libraries of the classics which are one of the real improvements of recent times. Thus they were harmless, being diluted by, or rather drowned in Dickens. My scrap of theory was a mere dry biscuit to be taken with the grand tawny port of great English comedy; and by most people it was not taken at all–like the biscuit. Nevertheless the essays were not in intention so aimless as they appear in fact. I had a general notion of what needed saying about Dickens to the new generation, though probably I did not say it. I will make another attempt to do so in this prologue, and, possibly fail again.” [chương_files]
A prose tract or polemic by John Milton, published November 23, 1644, at the height of the English Civil War… Milton, though a supporter of the Parliament, argued forcefully against the Licensing Order of 1643, noting that such censorship had never been a part of classical Greek and Roman society. The tract is full of biblical and classical references which Milton uses to strengthen his argument. The issue was personal for Milton as he had suffered censorship himself in his efforts to publish several tracts defending divorce (a radical stance at the time and one which met with no favor from the censors)… Areopagitica is among history’s most influential and impassioned philosophical defences of the principle of a right to free speech. [chương_files]
Fishing with a Worm by Bliss Perry includes the poignant and philisophical observations of a fly fisherman lured by the worm. Bliss Perry was a professor of literature at Princeton and Harvard Universities and spent time in Vermont writing and fly fishing. [chương_files]
Copyright © 2024 | FreeAudible