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Faerie Queene (version 2)

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Epics
Chapter: 75 | Listen: 3

Spenser planned a 24-book romance-epic consisting of two parts, of which he completed half of the first. The first twelve books were to illustrate the development of virtues within the individual soul, and the second twelve were to depict the application of these moral virtues to remedying evils that afflict the world. Each of the first set of quests was to begin at the court of the Fairy Queen, Gloriana, and the knights were to return thither after having defeated some foe representing a personal weakness. Having thus proved themselves, they were qualified to undertake the second quests, in the world. The neat plan becomes somewhat muddled by Book 3, which nevertheless contains the philosophical core of the poem’s allegorical structure: the Platonic notion that love (grace) unifies the cosmos and draws the will, through the pursuit of beauty, into virtuous action, returning to God at last in worship. The plot structure of the poem is rich and complex, with many strands interlinked and overlapping, each replete with allegorical significance. (Summary by Thomas Copeland) [chương_files]

Lusiads

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Epics, Historical Fiction
Chapter: 12 | Listen: 1

The Lusiads (Os Lusíadas) is a Portuguese epic poem, written in the 16th century by Luis Vaz de Camões. The poem tells the tale of the Portuguese discoveries in the 15th and 16th centuries, specially the voyage to India by Vasco da Gama. Modelled after the classic epic tradition, Camões’ Lusiads are considered not only the first literary text in Modern Portuguese, but also a national epic of the same level as Vergil’s Aeneid. In the 19th century, Sir Richard Francis Burton translated Camões’ Lusiads, in what he considered “the most pleasing literary labour of his life”. (Summary by Leni) [chương_files]

Divine Comedy

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Epics, Poetry
Chapter: 19 | Listen: 4

The Divine Comedy (Italian: Commedia, later christened “Divina” by Giovanni Boccaccio), written by Dante Alighieri between 1308 and his death in 1321, is widely considered the central epic poem of Italian literature, the last great work of literature of the Middle Ages and the first great work of the Renaissance. A culmination of the medieval world-view of the afterlife, it establishes the Tuscan dialect in which it is written as the Italian standard, and is seen as one of the greatest works of world literature. – The Divine Comedy is composed of three canticas (or “cantiche”) — Inferno (Hell), Purgatorio (Purgatory), and Paradiso (Paradise) — composed each of 33 cantos (or “canti”). The very first canto serves as an introduction to the poem and is generally not considered to be part of the first cantica, bringing the total number of cantos to 100. – The poet tells in the first person his travel through the three realms of the dead, lasting during the Easter Triduum in the spring of 1300. (Summary from Wikipedia) [chương_files]

Balder Dead

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Epics, Myths, Legends & Fairy Tales, Poetry
Chapter: 3 | Listen: 5

“Balder Dead” is a beautiful epic poem by Matthew Arnold. It draws from Norse mythology to retell the story of the the death of Odin’s son, Balder, instigated by the treacherous jealousy of Loki. (Summary by Nathan) [chương_files]

Don Juan, Canto 1

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Epics, Poetry
Chapter: 7 | Listen:

Don Juan is a long narrative poem by Byron, based very loosely on the legend of the evil seducer, Don Juan. The first and second of (eventually) seventeen Cantos composed during Byron’s self-imposed exile from England appeared, anonymously, in July 1819 and were greeted with scandal, condemnation, admiration and hilarity. Modern critics generally consider the self-proclaimed ‘epic’, which remained incomplete at Byron’s death, to be his masterpiece. (Summary by Peter Gallagher) [chương_files]

Ballad of the White Horse

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Epics
Chapter: 9 | Listen:

An English epic poem that follows the exploits of Alfred the Great in his defense of Christian civilization in England from the heathen nihilism of the North. Following a string of defeats at the hands of the invading Danes, a vision from heaven in the river island of Athelney fills Alfred with joy and hope. Though it gives no promise of victory in the coming struggle, it inspires him to rally his chieftains for a last stand against the invading hordes. His adventures lead throughout the country as he gathers his men, and take him through the Danish camps disguised as a minstrel before culminating in the Battle of Ethandune and the prophesying of the enemy’s subtle return in the ages to come. (Summary by Joshua B. Christensen) [chương_files]

Song of Roland

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Epics
Chapter: 8 | Listen: 1

The Song of Roland is an epic poem, originally sung in Old French. It tells the story of the Battle of Roncevaux Pass in 778. This is an English translation. (Introduction by Joy Chan) [chương_files]

Song of Hiawatha

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Epics, Poetry
Chapter: 23 | Listen: 2

I sing the Song of Hiawatha, Brave of heart and strong of arm. Daughter’s son of old Nokomis, Fathered by the harsh West Wind. With its regular, beating rhythm, the Song of Hiawatha has often been parodied, but in truth, it is a powerful, emotional epic; a hero’s life, his loves and suffering. The legends and traditions of the North American Indian swirl together through the tale like a mountain stream, tumbling white over the rocks, and caressing the mossy tree roots. (Summary by Peter Yearsley) [introduction by Woodrow Morris] [chương_files]

Paradise Regained

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Epics
Chapter: 4 | Listen: 1

Paradise Regained is a poem by the 17th century English poet John Milton, published in 1671. It is connected by name to his earlier and more famous epic poem Paradise Lost, with which it shares similar theological themes. Based on the Gospel of Luke’s version of the Temptation of Christ, Paradise Regained is more thoughtful in writing style, and thrives upon the imagery of Jesus’ perfection in contrast to the shame of Satan. (Summary from Wikipedia) The Librivox recording of Paradise Lost can be found here. [chương_files]

Don Juan, Cantos 13 – 16

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Epics
Chapter: 4 | Listen: 1

These are the last four Cantos of his mock epic that Byron completed in the year before his death at the age of 36 in Messolonghi, Greece, where he had gone to fight for the nationalists against the Ottoman Empire. Juan, now in England, is invited to spend the autumn with a hunting party at the ancient country seat of Lord Henry and Lady Adeline Amundeville. There, he meets the most intriguing of the Byronic heroines, Aurora Raby, and is visited by a ghost with ample breasts (!). That is the narrative outline but hardly the focus of the last Cantos. Byron is more interested satirizing the frailty of faith, the fecklessness of the English aristocracy, the futility of English pastimes and the fawning of elected Members of Parliament over their middle-class constituents. Booze, banquets, belles and bishops are given the Byronic treatment, while his spleen is reserved for his critics and for “tyranny”. (Summary by Peter Gallagher) [chương_files]