Lewis Carroll’s most enduring works are the Adventures of Alice in Wonderland, but he also wrote some very interesting poetry. The poems in this particular volume are called “serious” in the preface, and though they are written in Lewis Carroll’s accessible style, they are addressed to adults, with many of the poems having themes such as love and death. – Summary by Carolin [chương_files]
In his inimitable way, Mark Twain gives sound advice about how to tell a story, then lets us in on some curious incidents he experienced, and finishes with a trip that proves life-changing. [chương_files]
This is a volume of humorous poems by Harry Graham, writing under his pseudonym Col. D. Streamer. In this volume, Graham brings us a unique and original view of popular proverbs, in his own peculiar humorous verse. – Summary by Carolin [chương_files]
This is a volume of poems by New York poet Helen Gray Cone. – Summary by Carolin [chương_files]
This is a selection of the early poetry of Oscar Wilde, selected by Robert Ross. As he puts it, “It is thought that a selection from Oscar Wilde’s early verses may be of interest to a large public at present familiar only with the always popular Ballad of Reading Gaol, also included in this volume. The poems were first collected by their author when he was twenty-six years old, and though never, until recently, well received by the critics, have survived the test of NINE editions. Readers will be able to make for themselves the obvious and striking contrasts between these first and last phases of Oscar Wilde’s literary activity. The intervening period was devoted almost entirely to dramas, prose, fiction, essays, and criticism.” – Summary by Carolin and Robert Ross [chương_files]
Thoroughly appalled and sickened by the rising numbers of white-on-black murders in the South since the beginning of Reconstruction, and by the unwillingness of local, state and federal governments to prosecute those who were responsible, Ida Bell Wells-Barnett wrote Southern Horrors, a pamphlet in which she exposed the horrible reality of lynchings to the rest of the nation and to the world. Wells explained, through case study, how the federal government’s failure to intervene allowed Southern states the latitude to slowly but effectively disenfranchise blacks from participating as free men and women in a post-Civil War America with the rights and opportunities guaranteed to all Americans by the Constitution. [chương_files]
This is the only volume of poetry by Canadian author Virna Sheard. In this volume, Ms Sheard shares all kinds of different emotions, and some stories. As the Boston Globe put it, “A study of The Miracle and Other Poems shows at once that the author is not merely a Canadian poet; her outlook and her range know little of time or place; she belongs to the readers of poetry at large.” (quoted in Canadian poets and poetry (1916), JW Garvin, ed.) – Summary by Carolin [chương_files]
The [five] lectures were written primarily to be delivered at the summer sessions of the University of California, at Berkeley and at Los Angeles, in the summer of 1918. . . they are the outgrowth of almost a quarter of a century spent in work for the blind, and were written from the standpoint of a blind person, seeking to better the condition of the blind. They were addressed not to the blind, but to the seeing public, for the benefit that will accrue to the blind from a better understanding of their problems. (Extract from the Forward by Milton J. Ferguson) [chương_files]
This is a 1920 collection of poetry by American poet Sara Teasdale. The collection comprises 92 poems, which are grouped together into 12 sets. – Summary by Carolin [chương_files]
“The road of excess leads to the palace of wisdom.” The Marriage of Heaven & Hell is William Blake’s masterpiece – a piously blasphemous reimagining of the duality of good and evil as an eternal dance of equally essential polarities. Good, in Blake’s complex cosmology, is defined by a blind deference to the external, rational order embodied by the tyrant and the priest. Evil is the chaotic and revolutionary impulse that defies all reason and authority. While Blake’s sympathies are clearly with the Romantic revolutionary, he argues for the necessity of both sides, which create balance through their eternal opposition. (Summary by PJ Taylor) [chương_files]
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