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Mirror of the Sea (Version 2)

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Essays & Short Works
Chapter: 15 | Listen: 2

“Here speaks the man of masts and sails, to whom the sea is not a navigable element, but an intimate companion. The length of passages, the growing sense of solitude, the close dependence upon the very forces that, friendly to-day, without changing their nature, by the mere putting forth of their might, become dangerous to-morrow, make for that sense of fellowship which modern seamen, good men as they are, cannot hope to know.” In this volume of essays, more than in any other single work, we get to see clearly just what Joseph Conrad’s years working on sail-powered ships meant to him — and they certainly meant a great deal to him, for all Conrad’s subsequent fretting that he might be typed as “only” a writer of the sea. This collection is particularly renowned for the lengthy episode titled “The Tremolino”, where Conrad gives us, in the character of the real-world Dominic, the model of his fictional Nostromo, as well as an account of personalities and gun-running activities he would later depict in “The Arrow of Gold”. (Summary by Peter Dann) [chương_files]

Hidden Hand

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Published 1800 - 1900
Chapter: 61 | Listen: 3

“If you will listen to this book, you will meet a cast of unforgettable characters, as different from one another as the sun and moon. But they have one thing in common – all of them hide many, many secrets. The plot of this book is full of twists which may leave you guessing until the end. Bridget’s lively reading adds much to the joy of listening to this book.” (Summary by Stav Nisser) [chương_files]

Sammlung kurzer deutscher Prosa 058

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Anthologies, Essays & Short Works
Chapter: 10 | Listen: 3

Diese Sammlung umfasst 10 deutschsprachige Prosa-Texte verschiedener Genres. – Summary by schrm [chương_files]

L’Art d’être grand-père

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Poetry
Chapter: 68 | Listen: 1

L’Art d’être grand-père est un recueil de poèmes que Victor Hugo a publié en 1877. Suite à la mort de Charles Hugo, un de ses fils, et de sa femme, Victor Hugo prend en charge ses deux petits enfants Georges et Jeanne Hugo. Il écrit plusieurs poèmes illustrant les comportements et l’innocence reliée à ses petits-enfants qu’il élève seul et avec tendresse. (Résumé par Wikipédia) L’Art d’être grand-père (”The Art of Being a Grandfather”) is a series of eighteen poems by Victor Hugo, published in 1877. They were among the last he wrote. On 13 March 1871, his 44-year-old son Charles died of a stroke, while riding in a carriage to a farewell dinner for some of Victor’s friends at a restaurant in Bordeaux. Charles’s wife died shortly afterwards, and Victor Hugo became the guardian of their children, Georges and Jeanne Hugo. The poems describe the feelings of a grandfather entrusted with innocent young children. Love and tenderness are celebrated, and the complexities, politics, and grand themes of his other poems are set aside. [chương_files]

Wine, Water and Song

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Poetry
Chapter: 16 | Listen: 1

A collection of 16 poems by G.K. Chesterton. All of the poems in this book, except for “The Strange Ascetic” are taken from “The Flying Inn”, a book by the same author. [chương_files]

The Lays of Ancient Rome

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Poetry
Chapter: 4 | Listen: 5

The Lays of Ancient Rome comprise four narrative poems comprised by Lord Thomas Babington Macaulay: recalling popular episodes from Roman historical-legends that were strongly moral in tone: exemplifying Roman virtue against Latine perfidy. The four poems are: – Horatius – Horatius and two companions seek to hold back a large invading Etruscan force at the far end of a bridge over the Tiber River. The trio are willing to lay down their lives so as to prevent the Etruscans crossing and sacking the otherwise ill-defended Rome: it is a desperate gamble to buy enough time for the Romans to destroy the bridge in advance of the hostile army. But will their efforts succeed? – The Battle of Lake Regillus – The Romans take arms against the powerful Latine league headed by the expelled Tarquin nobles. The fighting is desperate and bloody: the event is decided only after the arrival upon the battlefield of the twin gods Castor and Pollux. – Virginia – Virginia is the daughter of Virginius – a poor, honest Roman farmer-citizen. In former years Virginius enlisted as a legionary and shed his blood to fight Rome’s enemies: now Virginius – like other Romans of the humbler sort – suffer the usurious exactions of noblemen like the wicked Appius Claudius. Appius Claudius uses spurious legal means to take possession of Virginia as his “runaway slave”: action guaranteed to succeed given the incumbent corrupt magistracy. So what can Virginius do? To what extremes is the father forced to protect […]

Honour of the Gout

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Essays & Short Works, Humor, Medical
Chapter: 8 | Listen:

This droll and ‘enflammatory’ pamphelet doth be a grondebreaking worke of musing upon a great aflicktion of Man, upon the better nature of that aflicktion, and upon the vain and mischievous cheats who affeckt to cure it. The gauntlet here so-toss’d by Philander Misaurus was later pick’d up by surgeon John Marten in his rejoinder, titled by the name–”The Dishonour of the Gout”. Which seeketh to shew all minds swayed by Philander’s prettie words that—indubitably—Gout is misfortune. – Summary by Alasdair (Alister) [chương_files]

The Battle of Marathon

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Poetry
Chapter: 4 | Listen: 2

The Battle of Marathon is a rhymed, dramatic, narrative-poem by Elizabeth Barrett Browning. Written in 1820, it retells powerfully The Battle of Marathon: during which the Athenian state defeated the much larger invading force during the first Persian invasion of Greece. When Darius the Great orders his immense army march west to annex additional territories; no-one in the Persian court predicted that some fractious, independent Greek city-states stood any chance against the Persian super-power. And yet at Marathon in 490BC, Darius’ plans received a decisive check in the brilliant Athenian offensive overseen by the aged but hardy Miltiades: who over-ran the Persian army just landed upon their coasts, cutting their opponents down to the last man. But some of the Greeks’ enemies are more than mortal: Aphrodite herself swears vengeance upon them for the actions of their forebears in destroying her beloved Troy generations ago. – Can Miltiades continue successfully guiding his fellow Athenians to future greatness; when rival factions lead by Themistocles and Aristides grow only stronger day by day? – Can even Jove himself protect the Athenians he loves from the whimsical – but fatal – wiles of his daughter, the goddess of love? [chương_files]

Poèmes et Poésies

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Poetry
Chapter: 31 | Listen: 3

Leconte de Lisle est né à l’Île de Bourbon. C’est là que ses yeux d’enfant se sont emplis des couleurs et des formes des paysages prestigieux de l’Orient. Une nature sans tendresse, à la lumière implacable, aux faces énormes et aveugles, éveilla dans son âme cette idée obsédante de la fatalité, qu’il devait retrouver au long de l’histoire. Tout ce que l’Orient dans sa lourde immobilité traîne depuis des siècles de renoncement à l’impossible bonheur et de goût de la mort s’ajouta par ailleurs en lui à son pessimisme natif. (Extrait de la notice de l’édition de 1920) Leconte de Lisle was born on the island of Réunion. His verse is clear, sonorous, dignified, deliberate in movement, classically correct in rhythm, full of exotic local colour, of savage names, of realistic rhetoric. Coldness cultivated as a kind of artistic distinction seems to turn all his poetry to marble, in spite of the fire at its heart. They have the lofty monotony of a single conception of life and of the universe. He sees the world as what Byron called it, “a glorious blunder,” and desires only to stand a little apart from the throng, meditating scornfully. He listens and watches, throughout the world, for echoes and glimpses of great tragic passions. The burning emptiness of the desert attracts him, the inexplicable melancholy of the dogs that bark at the moon; he would interpret the jaguar’s dreams, the sleep of the condor. He sees nature with the same wrathful impatience as […]

The Rubaiyat of Omar Khayyám (Whinfield Translation)

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Poetry
Chapter: 6 | Listen: 2

Omar Khayyám (1048–1131) was a Persian poet, mathematician and astronomer. In the Western world he is most famous for his many rubáiyát (quatrains), a four line rhyming stanza, which were popularized in an extensively reworked collection in English by Edward Fitzgerald, the first edition of which appeared in 1859. However, Fitzgerald was neither the first nor the most scholarly of the translators of Omar Khayyam’s rubáiyát. As well as translating the poems of Hafez and Rumi, Edward Henry Whinfield (1836-1922) also produced a much more extensive English version of the rubáiyát. In 1883 he published a bilingual edition of 500 quatrains, in which the Persian original is presented side by side with the English translation. This is a bilingual recording. Each quatrain will be read first in Persian and then in English translation. While listeners unfamiliar with the Persian language will not able to appreciate the meaning of the quatrains in their original form, everyone can at least enjoy the musicality of Omar’s verse, which Whinfield often succeeds in capturing. [chương_files]