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12/07/2024
Poèmes et Poésies cover

Poèmes et Poésies

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Leconte de Lisle est né à l’Île de Bourbon. C’est là que ses yeux d’enfant se sont emplis des couleurs et des formes des paysages prestigieux de l’Orient. Une nature sans tendresse, à la lumière implacable, aux faces énormes et aveugles, éveilla dans son âme cette idée obsédante de la fatalité, qu’il devait retrouver au long de l’histoire. Tout ce que l’Orient dans sa lourde immobilité traîne depuis des siècles de renoncement à l’impossible bonheur et de goût de la mort s’ajouta par ailleurs en lui à son pessimisme natif. (Extrait de la notice de l’édition de 1920) Leconte de Lisle was born on the island of Réunion. His verse is clear, sonorous, dignified, deliberate in movement, classically correct in rhythm, full of exotic local colour, of savage names, of realistic rhetoric. Coldness cultivated as a kind of artistic distinction seems to turn all his poetry to marble, in spite of the fire at its heart. They have the lofty monotony of a single conception of life and of the universe. He sees the world as what Byron called it, “a glorious blunder,” and desires only to stand a little apart from the throng, meditating scornfully. He listens and watches, throughout the world, for echoes and glimpses of great tragic passions. The burning emptiness of the desert attracts him, the inexplicable melancholy of the dogs that bark at the moon; he would interpret the jaguar’s dreams, the sleep of the condor. He sees nature with the same wrathful impatience as […]

12/07/2024
The Rubaiyat of Omar Khayyám (Whinfield Translation) cover

The Rubaiyat of Omar Khayyám (Whinfield Translation)

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Omar Khayyám (1048–1131) was a Persian poet, mathematician and astronomer. In the Western world he is most famous for his many rubáiyát (quatrains), a four line rhyming stanza, which were popularized in an extensively reworked collection in English by Edward Fitzgerald, the first edition of which appeared in 1859. However, Fitzgerald was neither the first nor the most scholarly of the translators of Omar Khayyam’s rubáiyát. As well as translating the poems of Hafez and Rumi, Edward Henry Whinfield (1836-1922) also produced a much more extensive English version of the rubáiyát. In 1883 he published a bilingual edition of 500 quatrains, in which the Persian original is presented side by side with the English translation. This is a bilingual recording. Each quatrain will be read first in Persian and then in English translation. While listeners unfamiliar with the Persian language will not able to appreciate the meaning of the quatrains in their original form, everyone can at least enjoy the musicality of Omar’s verse, which Whinfield often succeeds in capturing.     [chương_files]  

12/07/2024
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Ukraine

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“We are not the same nation with Russian people,” the statement which all Ukrainians wish to convey to the whole world for centuries. The striving for freedom and independence is what these people shed much of their blood on Ukrainian lands for. “The Ukraine” by Bedwin Sands (George Raffalovich) describes Ukrainian problem, which exacerbated in the late 19th and early 20th centuries, by looking back at the Ukrainian history, the development of Ukrainian literature and its influence, and by considering its relations with Austria and Russia. (Summary by Anastasiia Solokha)     [chương_files]  

12/07/2024
Fringe of an Art: Appreciations in Music cover

Fringe of an Art: Appreciations in Music

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A collection of essays on things musical by Vernon Blackburn, including composers, music in different time periods, and modern music. (Summary by Mozartjr)     [chương_files]  

12/07/2024
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Representative Men (Version 2)

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Seven Essays: his reasoning why and how great men have always been honored and necessary in our civilization, followed by six chapters dealing with, in order: Plato, Swedenborg, Montaigne, Shakspeare (sic), Napoleon and Goethe. Emerson was an old fashioned “Man of Letters”. He was the head of the mid-19th century School of Transcendentalism. Poetry, essay and book on Philosophy, human rights and religious and social rights. – Summary by William Jones     [chương_files]  

12/07/2024
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Problems of the Playwright

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A third volume of essays by American critic Clayton Hamilton, published as a companion piece to The Theory of the Theatre & Studies in Stagecraft, and focusing (as one might expect) on the problems of the playwright. (Summary by Andrew Gaunce)     [chương_files]  

12/07/2024
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Die göttliche Komödie – Die Hölle

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Inhalt: Die Hölle Das Fegefeuer Das Paradies Die Commedia, in späterer Zeit auch Divina Commedia (“Göttliche Komödie”) genannt, ist das Hauptwerk des italienischen Dichters Dante Alighieri. Sie gilt als bedeutendste Dichtung der italienischen Literatur und als eines der größten Werke der Weltliteratur.     [chương_files]  

12/07/2024
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Romance of a Christmas Card

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The story of the mission of two Christmas cards written by a minister’s wife. These cards find their way to two straying sheep from the village fold, who hear through the message in the words, and the little scenes on the cards, the compelling voice of home. There was inspiration and good cheer in the cards, and from them came, in one case reformation, in the other romance. (Summary compiled by Maria Therese from various original 1915 reviews)     [chương_files]  

12/07/2024
Bartleby the Scrivener, A Story of Wall Street. cover

Bartleby the Scrivener, A Story of Wall Street.

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“Bartleby the Scrivener: A Story of Wall Street” is a short story by Herman Melville. The story first appeared, anonymously, in Putnam’s Magazine in two parts. The first part appeared in November 1853, with the conclusion published in December 1853. It was reprinted in Melville’s The Piazza Tales in 1856 with minor textual alterations. The work is said to have been inspired, in part, by Melville’s reading of Emerson, and some have pointed to specific parallels to Emerson’s essay, “The Transcendentalist.” The story has been adapted twice: once in 1970, starring Paul Scofield, and again in 2001, starring Crispin Glover.     [chương_files]  

12/07/2024
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The Rape of the Lock

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The Rape of the Lock is a mock-heroic narrative poem written by Alexander Pope, first published anonymously in Lintot’s Miscellany in May 1712 in two cantos (334 lines), but then revised, expanded and reissued under Pope’s name on March 2, 1714, in a much-expanded 5-canto version (794 lines). The final form was available in 1717 with the addition of Clarissa’s speech on good humour. The poem satirizes a petty squabble by comparing it to the epic world of the gods. It was based on an incident recounted by Pope’s friend, John Caryll. Arabella Fermor and her suitor, Lord Petre, were both from aristocratic recusant Catholic families at a period in England when under such laws as the Test Act, all denominations except Anglicanism suffered legal restrictions and penalties (for example Petre could not take up his place in the House of Lords as a Catholic). Petre, lusting after Arabella, had cut off a lock of her hair without permission, and the consequent argument had created a breach between the two families. Pope, also a Catholic, wrote the poem at the request of friends in an attempt to “comically merge the two.” He utilized the character Belinda to represent Arabella and introduced an entire system of “sylphs,” or guardian spirits of virgins, a parodized version of the gods and goddesses of conventional epic.     [chương_files]