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Sunken Garden and Other Poems

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Chapter: 24 | Listen:

This fantastic adventure into the realms of the imagination is a superb example of the incomparable skill of poet Walter de la Mare. In this collection the poet explores the intersection of reality and fantasy within the context of an earth-centeredness that extends far beyond our knowing present – an exploration garnered from dreams, from mindful awakening, indeed from ephemeral ventures into the hitherto unknown. In this series of related but diverse poems de la Mare appeals to our thoughtful consideration of his work based not solely on its subject matter but from an element of the supernatural interwoven within each verse. The poet’s work thus both unites and at times divides our previously familiar concepts and long-held beliefs with a component of the mystical progression of life itself as we each venture along a path in some ways familiar yet in other ways oddly disjointed and exotic. Prepare to be amazed at the journey on which Walter de la Mare, this exceptional poet, is about to take us. Prepare to depart on an adventure to the realms of this master poet’s Sunken Garden, a “green and darkling spot” where perhaps “a distant dreamer dreams.” Prepare to share in those universal reveries of prescience that bring wonder and amazement to us all. – Summary by Bruce Kachuk [chương_files]

Dawn Patrol, and Other Poems of an Aviator

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Chapter: 21 | Listen:

Paul Bewsher writes poems of a wartime aviator from his heart and soul. His heart longs for an end to the perils of war and the forced destruction meted out by him and his fellow soldiers while yearning for a return to the serenity of home. His soul is that of a fighter, an airman whose cockpit is both an escape from earthly strife and an agonizing wait for the sudden death that stalks him on each mission. Bewsher’s poems are made ever more meaningful by being written by one who has suffered the horrors of war; one who has survived but who has known many who did not; one who understands the longing for an end, the longing for the way life used to be, and the hunger for peace. Bewsher explores in his poetry a range of human emotions from the stance of one immersed in a struggle not of his own making but one essential to his own and his country’s survival. These are poems of a reality once lived and never forgotten, a reality indelibly etched in the mind of an aviator during a seemingly unending war. These are poems with vital lessons for us all. – Summary by Bruce Kachuk [chương_files]

Cobwebs from a Library Corner

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Chapter: 57 | Listen: 1

This is a book of 57 sections divided into 2 parts. The first part is comprised of 26 poems & the second part concludes with 31 assorted stories & otherwise. John Kendrick Bangs had been known as a jokester & prankster; was also known to be the editor of Puck, perhaps the foremost American humor magazine. Take a peak and see how you end up with a grin on your face and in your heart as well. That is honest Bangsian writing. – Summary by AR [chương_files]

White Canoe and Other Verse

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Chapter: 15 | Listen: 1

This early collection of Alan Sullivan’s work is from the pen of a young Canadian author who portrays Canada’s short Summer season as the voyage through a Summer of life in an allegorical “white canoe”. During that voyage Sullivan shares with the reader his expressions of joy, loss, doubt, uncertainty and hope for a blissful conclusion. Sullivan’s later career would embrace classic and unique depictions of the early development of his country, winning a Governor General’s Award for his 1941 novel “Three Came to Ville Marie” (Sullivan’s 1891 poem “Fifty Years Hence” included in “The White Canoe and Other Verse” seems curiously prescient in this regard). This selection of a nascent Alan Sullivan’s poems makes an important contribution to the work of Canadian poets of this era. – Summary by Bruce Kachuk [chương_files]

Sheaf of Roses

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Chapter: 3 | Listen: 1

The rose, the flower of love, the flower of life, the floral symbol of all life’s occasions whose presence both motivates and adorns indelible life memories is the subject of these wonderful poems. From the pen of poet Elizabeth Gordon the rose becomes an integral component of life as she shares tales embodying the poignancy of our existence, the pathos of our being – thorns and prickles not excluded. These wonderful poems are uplifting, inspirational and remarkably filled with facets of a life we all share while being accompanied by the comforting and beautiful presence of this heartening heavenly floral offering, the rose. – Summary by Bruce Kachuk [chương_files]

Inn of Dreams

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Chapter: 40 | Listen: 1

At age 16, London blueblood Olive Custance already figured in literary circles shared by Oscar Wilde and John Gray. She later wrote for the “Yellow Book”, a notorious British quarterly of the late 1890’s, featuring poems, essays, short stories and artwork by many well-known writers and artists of the age. In 1902 she married Lord Alfred ‘Bosie’ Douglas, famed for his relationship with Oscar Wilde. Opals, her first published poetry collection, appeared in 1897 when she was just 23, to be followed by Rainbows (1902), The Blue Bird (1905) and The Inn of Dreams (1911). – Summary by Nemo. These poems are read by Nemo with the Dedication read by Eva Davis. [chương_files]

Five Nations Vol I

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Chapter: 28 | Listen: 1

Rudyard Kipling was the first English recipient of the Nobel Prize in literature and the youngest at the time to be so rewarded. His children’s stories and poems have been enduring expressions of his times, many tied to India, the country of his birth. Five Nations is a collection of poems covering the wide range of the British Kingdom at the time, though there is some debate as to what the Five Nations refer. There are two groups of poems in these volumes, unnamed poems and the service poems. Many of these have military themes and range over many wars of the British Empire. (Summary by Larry Wilson) [chương_files]

Testaments of John Davidson

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Chapter: 9 | Listen: 1

The oft-maligned Testaments of John Davidson work as a sublime, psychopathic post-Nietzchean (Zarathustra was merely Davidson’s springboard into a deeper transcendence) prologue to his impending suicide in 1909. After a warmly receptive life of ballad making and the like (benevolent pedagogy and inclusion in the chintzy Rhymer’s Club), a by then poverty-stricken, neglected Davidson could sharpen his mind toward the completion of a more pristine art. Subsequently, we are given the meanest gap between symbolism and modernism (an expressionistic, Schopenhauerian materialist monism in monologic profile a la Browning, a demented Kipling) on record, a Marlowe-level blank verse masterwork of the now, warping into a demented, ironically (intended or not, certainly unfunded and ignored by anyone in charge) nationalist individualism, a system of self-deification, the final scream of a decaying genius. (Summary by kilpatrick83) [chương_files]

Rainbows

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Chapter: 42 | Listen:

At age 16, London blueblood Olive Custance already figured in literary circles shared by Oscar Wilde and John Gray. She later wrote for the “Yellow Book”, a notorious British quarterly of the late 1890’s, featuring poems, essays, short stories and artwork by many well-known writers and artists of the age. In 1902 she married Lord Alfred ‘Bosie’ Douglas, famed for his relationship with Oscar Wilde. Opals, her first published poetry collection, appeared in 1897 when she was just 23, to be followed by Rainbows (1902), The Blue Bird (1905) and The Inn of Dreams (1911). – Summary by Nemo [chương_files]

Milton’s Minor Poems

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Chapter: 22 | Listen:

“On Shakespear 1630” typifies much of Milton’s poetry. By some miracle never yet explained, at age 24 he managed to get a 16-line encomium included in the Second Folio of the Bard’s collected works, 1632. Quite a coup! And this brand new M.A., never before published, used this brief poem to contradict Shakespeare’s chief rival, the great Ben Jonson, whose 80-line panegyric had graced the First Folio eleven years earlier. Jonson had said that Shakespeare’s monument was this living book, but Milton says, no, it is rather the readers who, stunned by the poet’s verse, become living statues in his honor. You will find the same audacity here in the minor poems as in Paradise Lost, which treats of “things unattempted yet in prose of rime.” You can hear it in the college student’s satirical invitation (likely to the classmate next on the program) “Rivers arise . . . ,” a travesty of the epic catalogue of rivers; and in his affectionately irreverent epitaph on Hobson (of “Hobson’s choice”), the stage coach driver for the boys of Cambridge; and again in a second epitaph on the same subject but offering a shameless burlesque of “Metaphysical” conceits. Even in his paraphrase of Psalm VII, where he takes issue with the King James Version on two points of grammar at the end of the second stanza, he is clearly the man who will write “How few somtimes may know, when thousands err.” Yet for all Milton’s iconoclasm, he knows discipline. Some of […]